BRAATZ je solo projekt nekdanjega nemškega punk vokalista in poeta. Njegov psevdonim tokrat označuje tako imenovani slo-motion-explosions, kreacijo kombinacije različnih efektov in reverbov. Braatz ustvarja hrup z analognimi sintesajzerji in električnimi kitarami, dodaja glasove ter izbrane posnetke zvokov. Performans je hkrati improvizacija,  variacije na osnovno temo.
BRAATZ ohranja poseben ne-glasbeni pristop. Ne samo, da zvokovne napake dovoljuje, temveč jih išče ter izpostavlja.  Napake so presenečenja, lahko pomenijo nov način potovanja skozi temačno kot svetlo zvočno polje, zapolnjeno z zvokovnim tkanjem, a presekano kot filmske sekvence. Iz hrupa v tišino v delčku sekunde.  
Pred kratkim je njegov program navdihovala tema: „When the noises go marchin in“.

Vabljeni na prvi javni performans. Poseben gost za miksalnim pultom: Aldo Ivančič (Borghesia, Bast)

Več:
www.myspace.com/braatzmusik 

BRAATZ   -    „When the noises go marchin in“

Noise is the first what we notice when we get born,
when we arrive on planet earth.
Or if we give birth, hopefully some noise shows up.
Silence could be evil, could be demanding, frightening,
but also peaceful, enlightening, a source of wisdom.
Noise could be annoying, could be disturbing, destroying,
but also fascinating, provocating, stirring rebellious.
Silence and noise are not brother and sister,
not day and night, not warm and cold.
nor war or peace, they are just - time.
Before, after, incorporated.
It´s not even a matter of taste.
Silence and noise are out there to conquer the world.
But in between there is life,
there are humans, dreams
and birds spreading the latest news.
When the noises go marching in.

from „The intimate circles of circumstances“
by Margery Twain, New Orleans,1929